WEBVTT


NOTE Transcript 2024-03-12 from FLAC by https://elvery.net/prototypes/transcribe/ on my MacBook Air M1 on maximum quality setting.
NOTE Body lightly edited.


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Hi, I'm Damon Hart-Davis, and welcome to Earth Notes podcast on all things eco and


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green and efficient at home.


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19th April 2020.


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This meta-cast is primarily driven by documenting some specs and workflow to be consistent in


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putting together future episodes.


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I'm interested in opinions on the 48kHz to 44.1kHz divide that I'm crossing to.


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I promised not to do too many meta-casts, blame them on coronavirus cabin fever.


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My dad, Adam, worked in broadcast TV.


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The difference between the vibrant images on studio monitors at work and the anemic


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images on TV at home was a shock.


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Now I can relatively easily achieve technical audio broadcast master gamut (EG BBC Radio


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at 16-bit linear PCM with 48kHz sampling) in the comfort of my own home.


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The 48kHz Alliance says that "all audio production and distribution should go 48kHz.


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It's not about the slight superior audible quality of 48kHz.


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It's about being compatible with the video world."


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My shiny new Blue Yeti mic supports 48kHz, i.e. 48ksps or kilo-samples per second.


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I can't hear any particular different sampling at the two speeds and I wouldn't expect to.


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Moving to 48ksps sampling will expand the FLAC master copy by a little under 10%, but


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the MP3 files are being limited by output bitrate anyway, so shouldn't see any significant


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change.


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There were reports a few years ago of some MP3 players not coping with anything other


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than 44.1KSPS, but there doesn't seem to be anything recent, so it's likely not a significant


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issue now.


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Thus I see no reason not to do most or all future episodes at 48ksps, and so I have set


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Audacity's default project rate to that as a start.


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It occurs to me that if I record an episode away from home, on the NBA's built-in mic,


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I could consider dropping a sample right back to 44.1KSPS to save a bit of space, given that


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the extra texture just isn't there to capture.


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In the episodes page I have a how-to for the key elements of the workflow to prepare and


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publish an episode.


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At a slightly less nitty-gritty level, should the podcast have standard bookends, i.e. intro


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and exit, outro or coda, words and even jingle or signature music, having canned intro and


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outro may make for a more consistent presentation.


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They may not actually save production time as something now has to be imported into the


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piece rather than just being said.


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This also risks making things feel a little less organic and a little more robotic and


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over-professionalised.


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Still, no harm in laying down a couple to try now.


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A version of the sign-off used since the podcast start, Blue Yeti Mic 48ksps.


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There's more on my Earth Notes Web Site at Earth.Org.UK.


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Until now each intro has had some slight variations, sometimes with a small joke embedded, Corona


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cast, Diary cast, Meta cast and the date.


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Maybe a completely standard intro which can be followed by a date would be good.


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Here's the new intro used on this episode, 48ksps and Blue Yeti.


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Hi, I'm Damon Hart-Davis, and welcome to Earth Notes podcast on all things eco and green and efficient


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at home.


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I expect to add new, better versions of these intros and outros and switch to them.


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I may also flip between a small set of them to give episodes a little more variety and


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to reduce repetition blindness.


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More material will be added to this episode's page after it goes live, such as new intros


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and outros and updated workflow.


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There's more on my Earth Notes Web site at Earth.Org.UK.

